Radical revisionism is a strong contender for the theme of this disruptive year, in which some unique property of political ...

New Year’s Eve is the only holiday with so much built-in pressure that even those standing under the ball in Times Square are ...

New Yorker writers and contributors on the books keeping them company this winter. The New Yorker’s editors and critics ...

The history of recorded music is now at our fingertips. But the streamer’s algorithmic skill at giving us what we like may ...

Almost exactly a year ago, a few days before Christmas, after a year replete with death and sorrow, I learned that I’d be a ...

Charlie Brown sighs and continues walking, alone. He comes upon Snoopy decorating his doghouse with Trump paraphernalia. The ...

It is not good to go back on a covenant, even one implicitly made and foggy regarding what would constitute a violation. Few monogamous couples, that is, get down to the brass tacks of chalking ...

To lure him out, you can always try leaving a trail of pages from a compelling screenplay that leads him right out your front ...

In the guise of a straightforward series of concert performances, the director Murray Lerner has crafted a canny, revelatory ...

Investors’ enthusiasm for A.I. has converted some longtime Wall Street bears into optimists. Jeremy Grantham is still waiting ...

Peter Gelb thinks “experimental” music leads to dwindling audiences, but performances around the country suggest otherwise.

Inkoo Kang reviews new espionage shows. Plus: an amateur U.F.O. hunter; the choreography of Kyle Abraham; and an early Annie ...